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At the dawn of the 21st century and the nadir of post-postmodernism, a funny thing is happening in the art world. Tired of the excess and shock of the previous century, people are returning to the simple idea that art should be something that is pleasant to look at. Leading the charge against the ivory tower "intellectuals" is a quiet Christian man named Thomas Kinkade, Painter of Light. |
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Born and raised in California, Kinkade showed an aptitude for art early on. His upbringing in a small American town set the stage for his later blossoming as the voice of reason arguing for a return to the simpler pleasures of a quiet, domestic life. Like all great artists, his journey towards artistic enlightenment was a bit rough and tumble, and he ventured across this great land of ours on box cars in search of the vision that would guide him through his later life. Eventually Kinkade found his voice through scripture, and he has been preaching his message through painting ever since.
Indeed, we live in sad times when quality judgments are only allowed by a handful of "professionals" who's sole qualification to judge is that they have spent a great deal of time around art. Since when does it require a college degree to decide what is attractive? What gives these people the gall to believe that they are uniquely suited to these tasks? It does not take a lifetime of study to appreciate beauty, and in fact the obsession of these people has led them away from true art, not closer to it. Time and again our schools and and culture have been shown to ruin the minds of those who study too deeply, filling their heads with contempt for their pedestrian roots.
The work of Thomas Kinkade is changing all of this. It should again be reiterated that amongst every day people, no other painter's work is more collected and disseminated than that of Kinkade. His renderings draw from a deep well of spirituality, suggesting the peace and perfection of the simpler life. The essential concept that a work of art should be enjoyed on a purely superficial level is resurging in society, and we are slowly casting off the idea that a visual medium has anything to convey to us other than visceral pleasure. Kinkade's paintings often bring to mind those of Norman Rockwell, that other chronicler of rose-tinted Americana. Where the great difference lies, however, is that Rockwell was expressing a view of the times in which he lived, fearing to venture into the realm of wistful daydreaming. Further, Rockwell was also tainted by the mid-century art movement, and he occasionally fell victim to the fallacy that an image can speak of harsh reality rather than just offering an impractical ideal to strive towards. Kinkade has had the strength to resist these temptations, however, and has always kept the subject matter of his compositions firmly fixed in simplistic ideals and a view of the past as it should have been, rather than the way it actually existed. In doing this he provides an avenue of hope and a window to a better life for those stuck in mundane reality.
As for other painters who are not popular household names like Kinkade, the reason they will never achieve wealth and fame is because they have willingly turned their backs on all that is good in humanity. They were tempted from the path of righteousness, and it shows quite plainly in their work. The road to salvation lies with embracement of the status quo and catering to the simple wants of people through the established market. Thomas Kinkade - painter, father and Christian - has not only shown us that road, he has made it available to us in abundance via posters, reproductions, and even limited edition signed prints in the frame style of our choice. Thank you, Thomas Kinkade. |